At Sarah Balinskas Art Services, we are proud to offer our own line of handcrafted hardwood frames. Each frame from our In-House Hardwood collection is milled and joined prior to finishing, resulting in seamless, closed corners — a hallmark of fine frame making. These closed corner frames are distinguished by their beauty, construction, and timeless versatility. Take a look at some of the available hardwoods and custom finishes below.

Bleached Maple Gray Wash

For this early shin-hanga print by Hasui Kawase, a clean, no-fuss approach is best. Natural maple is bleached to remove its color and topped with gray wash, resulting in a cool, muted tone that complements the work without overpowering it.

Hasui Kawase woodblock print in a bleached maple gray wash frame, SBAS Houston
Hasui Kawase, Benten Pond, Shiba, Japanese woodblock print, 10¾ in × 15 11/16 in

White Painted Maple

Our Painted Maple frames are distinguished by their sleek, seamless appearance and velvety matte finish. Here, White Painted Maple brings light and airiness to this Jaune Quick-to-See Smith lithograph — a rare print commemorating the 2002 Winter Olympics.

Jaune Quick-to-See Smith lithograph in a white painted maple frame, SBAS Houston
Jaune Quick-to-See Smith, Wasatch Winter, 2002, color lithograph, 32¾ in × 24½ in

Bird's Eye Maple

One of several grain variations appearing in maple wood, Bird's Eye is a unique variety named for its pattern of small, swirling knots resembling eyes — a fitting choice for this swirling Paul Mogensen print!

Paul Mogensen gold leaf spiral print in a bird's eye maple frame, SBAS Houston
Paul Mogensen, 2 spirals, 2016, gold leaf on rice paper, 9¾ in × 15⅛ in

Walnut Provincial

Walnut finished with a warm, rich stain creates a beautiful framework for this pair of João Modé textile works. For each piece, we custom wrapped velvet-on-rag breathers to match the textile and create a subtle sense of depth.

João Modé textile diptych in walnut provincial frames with velvet breathers, SBAS Houston
João Modé, Two Drawings (Diptych), 2023, stones, thread, beads, velvet, 11¾ in × 9⅛ in

Walnut Black

A custom notch frame in our Black Walnut finish follows the cut-out collage feeling of this T-shaped John Baldessari print. Working with found images, Baldessari recomposed photographic imagery from film stills and stock photography into prints and collages that played with language, perception, and visual logic.

T-shaped John Baldessari print in a custom black walnut notch frame, SBAS Houston
John Baldessari, Life's Balance (with Money), photogravure with aquatint, 11¾ in × 9⅛ in

White Wash Oak

White-washed oak in a 'peaked' profile accentuates the delicacy and fine detail of this Andrew Raftery print. The peaked frame creates a delicate window pane effect, as though we are looking in on the scene, and the striated oak grain mimics the close etching.

Andrew Raftery engraving in a white-washed oak peaked profile frame, SBAS Houston
Andrew Raftery, 40th Anniversary Edition, 1983, engraving, 8 in × 10 in

Black Rub Oak

John Biggers is perhaps best known for his public murals, especially those painted during his time in Houston. Given the artist's connection to the city, black-rubbed oak is a poetic choice for this early lithograph.

John Biggers lithograph Two Heads of Maternity in a black rub oak frame, SBAS Houston
John Biggers, Two Heads of Maternity, 1952, lithograph on wove paper, 38 in × 35½ in

Cherry Natural

With its unusual color and buttery smooth grain, cherry wood is the off-beat beauty of our In-House Hardwood line. Paired with this Ram Kumar painting, it brings out the earthy browns, rusts, and ochre pigments throughout the work.

Ram Kumar oil painting in a natural cherry wood frame, SBAS Houston
Ram Kumar, Untitled, oil on canvas, 38 in × 25½ in